The Isherwood-Bachardy Lectures at the Huntington Library allow distinguished academics, writers and other artists to initiate new discussion inspired by the personal and artistic achievements of life companions Christopher Isherwood and Don Bachardy. Lectures will freely address the wider culture in which Isherwood and Bachardy have worked, including literature, visual arts, film and theatre, and the gay liberation movement.
American writer and critic Edmund White delivers the inaugural lecture on September 29, 2016.
Tickets are free but essential; please book on the Huntington website starting August 15. (click here for tickets)
The Isherwood-Bachardy Lectures are endowed by the Christopher Isherwood Foundation and hosted by the W.M. Keck Foundation Director of Research, Dr. Steve Hindle, at the Huntington Library, Art Collections, and Botanical Gardens. Lectures will draw on the holdings of the Huntington Library, including the Christopher Isherwood Papers, which amount to more than 3,000 items.
The Anglo-American writer Christopher Isherwood (1904-1986) is known as a catalysing figure in the generation of leftist writers who changed English literature in the 1930s; for his life in Berlin during Hitler’s rise; for his travels in Europe, China, Latin America, and the U.S. He is also known for seeking a new, pacifist life in Hollywood during World War II, where he joined the émigré community, wrote for the movie studios, and became a follower of the Indian holy man Ramakrishna and a devotee at the Hollywood Vedanta Society under his direct guru Swami Prabhavananda. He lived openly as a gay man and was among the first major novelists to address homosexuality in writing intended for general literary audiences; during the 1970s, he became an icon of the gay liberation movement. His nine novels include Goodbye to Berlin (1939), on which Cabaret is based and A Single Man (1964), adapted as film by Tom Ford in 2009; among his memoirs and diaries is Christopher and His Kind (1976), which reveals his previously hidden search for a sexual homeland during the 1930s. Lecturers might address any of these themes, periods, milieus, locales or beliefs, or any of the genres in which Isherwood worked, including novels, plays, screenplays, travel books, autobiographies, memoir, diaries and letters.
The American painter Don Bachardy (b. 1934) paints portraits and nudes from life and, since his early seventies, he has painted abstracts. He studied at Chouinard Art Institute in Los Angeles and the Slade School of Fine Art in London, leading to his first solo shows in London in 1961 and New York in 1962. Since then he has had countless solo and group shows in cities around the world. His work is held in numerous public and private collections, including the Metropolitan Museum of Art, New York; the de Young, San Francisco; the Fogg Museum, Cambridge, Massachusetts; the Smithsonian Museum of American Art in Washington, D.C., and the National Portrait Gallery in London. He has published his drawings and paintings in numerous books, including October (1981) with Isherwood, Last Drawings of Christopher Isherwood (1990), Stars in My Eyes (2000), and Hollywood (2014). Together, Isherwood and Bachardy wrote several stage and film scripts, including their award-winning screenplay for the T.V. film “Frankenstein: The True Story” (1973). Lectures might consider Bachardy’s process and his large body of work, his choice of subjects, and the evolution of his technique and style; they might address portraiture and figurative work more generally; they might explore the Venice group with whom Bachardy has been associated since the 1960s and the role of that group in the development of the visual arts in California.
Edmund White (b. 1940) has published some twenty-five books ranging from fiction, biography, and memoir to literary and cultural criticism. His novels include the autobiographical trilogy comprised of A Boy’s Own Story, The Beautiful Room Is Empty, and The Farewell Symphony; The Married Man, about the intimate psychological repercussions of AIDS; and, more recently, Jack Holmes and His Friend, Hotel de Dream, and Chaos. He reveals his personal affinity with French culture in The Flaneur and Inside a Pearl: My Years in Paris. In City Boy, he remembers New York in the 1970s. His biography of French writer Jean Genet won the National Book Critics Circle Award. Among many honours and prizes, he is a member of the American Academy of Arts and Letters, an officer in the French Order of Arts and Letters, and in 2016, he was named the official Author for the State of New York.
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